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GEORGINA CAULTON · EXHIBITION ARCHIVE

The Face is Built for Empathy

Pushing Clay, Forsyth Barr Contemporary Ceramics Award 2026

I’m thrilled to have been selected for Pushing Clay 2026 in Nelson, with my ceramic work The Face is Built for Empathy.

A huge thank you to HIWA | Arts Council Nelson and the team at Tāwera for bringing together such an exciting and edgy celebration of contemporary ceramics.

Congratulations to all the other finalists. It’s a pleasure to be exhibiting alongside you!

The Face is Built for Empathy: four seated ceramic figures with doll-like faces and circuit-board impressed bodies.
The Face is Built for Empathy, Georgina Caulton. Select any photograph to enlarge it.

Making the invisible visible

Four ceramic figures give the invisible presence of AI a tangible form. Doll-like faces and machine bodies bring human and technological references together, while clay's weight, texture and imperfections give the figures a grounded physical presence.

This work was exhibited in Pushing Clay, Forsyth Barr Contemporary Ceramics Award 2026 in Nelson.

Artist
Georgina Caulton
Title
The Face is Built for Empathy
Dimensions
180 × 550 × 300 mm
Clay
White and terracotta earthenware
Surface
Hand-painted matt and gloss glazes mixed with oxide stains
Firing
1020°C
Construction
Hand-built pieces

FROM THE EXHIBITION CATALOGUE

Artist statement

I am interested in making the invisible presence of AI visible. We are increasingly relying on AI, with our phones, laptops and devices but the technology itself remains unseen. My ceramic figures strive to give AI a physical form, bringing something abstract and intangible into the human world. Porcelain doll-like faces sit upon machine bodies constructed from terracotta and white clay, impressed with circuit-board patterns. The combination of human and machine references creates figures that appear simultaneously familiar and unfamiliar. Clay is central to this transformation. Its weight, texture and naturally occurring imperfections give these artificial beings a physical presence and a sense of life. In contrast to the polished, weightless technology through which we normally encounter AI, the figures are tangible, vulnerable and grounded. Through these works I invite the viewer to consider what AI might look like if we could actually see it.

Georgina Caulton · Pushing Clay 2026 catalogue
Catalogue photograph of The Face is Built for Empathy, showing all four ceramic figures.
The artwork as reproduced in the exhibition catalogue.
Pushing Clay, Forsyth Barr Contemporary Ceramics Award 2026 catalogue cover.
The original exhibition catalogue cover.
View the printed write-up and material details
Original printed artist statement by Georgina Caulton about making the invisible presence of AI visible.
Original catalogue write-up.
Catalogue details for The Face is Built for Empathy, including dimensions, earthenware clay, glazes and firing temperature.
Title, dimensions and materials as printed in the catalogue.

A closer look at the figures

Detail photograph 2 of The Face is Built for Empathy by Georgina Caulton.
Detail photograph 3 of The Face is Built for Empathy by Georgina Caulton.
Detail photograph 4 of The Face is Built for Empathy by Georgina Caulton.

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